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片名:《癡心女子負心郎》

類型:劇情片

上映時間:1948

上映地區(qū):美國

導演:劉易斯·艾倫

主演:雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德

首播:1948(美國)

集數(shù):完結(jié)

語言:英語

上映于1948年的劇情片癡心女子負心郎劇情跌宕起伏、環(huán)環(huán)相扣,吸引了大批愛好電影的網(wǎng)友來觀看癡心女子負心郎，導演劉易斯·艾倫對癡心女子負心郎可以說是精雕細琢，生動再現(xiàn)了癡心女子負心郎的精彩故事,演員雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德對癡心女子負心郎也是演得精湛到位,讓癡心女子負心郎更加深入電影迷的人心，隨著時間的推移《癡心女子負心郎》在1948上映后獲得巨大好評。

《癡心女子負心郎》劇情講述了：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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